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Until the 1970s, strippers in Western cultures were almost invariably female, performing to male audiences.
Since then, male strippers have also become common.
The integration of the burlesque pole as a nearly ubiquitous prop has shifted the emphasis in the performance toward a more acrobatic, explicit expression compared to the slow-developing burlesque style. A "house dancer" works for a particular club or franchise, while a "feature dancer" tends to have her own celebrity, touring a club circuit making appearances.
Entertainers (dancers) are often not actual employees of the club itself but perform as independent contractors.
Dancers learn a set of rules, such as: never leave money unattended; never leave the club with a customer; and never refuse a table dance.
As long as she can "sell" herself, she is capable of becoming an exotic dancer. By the 1980s, the pole dancing and highly-explicit imagery associated with today's performers was widely accepted and frequently portrayed in film, television, and theater.
There are no job prerequisites; formal training is minimal, primarily on the job and provided by more senior dancers.
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This precarious employment is accepted because of the stigma associated with exotic dancing.
Dancers use props such as make-up, clothing, costumes, and appealing fragrances to complete their character and maintain their "front." Strippers, when working, are most likely to be found at strip clubs.